The 200 most cited articles
1. Understanding
audience segmentation: From elite and mass to omnivore and univore
2. The
field of cultural production, or: The economic world reversed
3. Digital
divide research, achievements and shortcomings
4. Story
understanding as problem-solving
5. Problems
in comparative research: The example of omnivorousness
6. Learning
from text, levels of comprehension, or: Why anyone would read a story
anyway
7. Distinction
in America? Recovering Bourdieu's theory of tastes from its critics
8. Arts
participation as cultural capital in the United States, 1982-2002: Signs of
decline?
9. A
taxonomy of the emotions of literary response and a theory of identification in
fictional narrative
10. The
market of symbolic goods
11. Mechanisms
of emotional involvement with drama
12. The
rise and fall of highbrow snobbery as a status marker
13. Music
as a technology of the self
14. From
the habitus to an individual heritage of dispositions. Towards a sociology at
the level of the individual
15. Foregrounding,
defamiliarization, and affect: Response to literary stories
16. A
tale of two structures: Underlying and surface forms in stories
17. Boundary
processes: Recent theoretical developments and new contributions
18. Cultural
capital today. A case study from Denmark
19. Modes
of openness to cultural diversity: Humanist, populist, practical, and
indifferent
20. Meetings
of minds: Dialogue, sympathy, and identification, in reading fiction
21. What
about the univores? Musical dislikes and group-based identity construction
among Americans with low levels of education
22. A
three-pronged method for studying inference generation in literary text
23. Adolescents'
internet use: Testing the "disappearing digital divide" versus the
"emerging digital differentiation" approach
24. The
digital production gap: The digital divide and Web 2.0 collide
25. Cultural
classifications under discussion Latent class analysis of highbrow and lowbrow
reading
26. Is
'distinction' really outdated? Questioning the meaning of the omnivorization of
musical taste in contemporary France
27. Cultural
capital and the extracurricular activities of girls and boys in the college
attainment process
28. A
tool kit for practice theory
29. Soldiers,
mothers, tramps and others: Discourse roles in the 1907 New York City charity
directory
30. Social
stratification and cultural consumption: The visual arts in England
31. Composing
a civic arena: Publics, projects, and social settings
32. Culture
consumption in Sweden: The stability of gender differences
33. A
critique of schema-based theories of human story memory
34. Digital
division or digital decision? A study of non-users and low-users of
computers
35. Becoming
a Nazi: A model for narrative networks
36. Mining
the intersections of cognitive sociology and neuroscience
37. Socialization,
education, and lifestyle: How social mobility increases the cultural
heterogeneity of status groups
38. Point-driven
understanding: Pragmatic and cognitive dimensions of literary reading
39. From
exclusive to inclusive elitists and further: Twenty years of omnivorousness and
cultural diversity in arts participation in the USA
40. Fields
and networks: Correspondence analysis and social network analysis in the
framework of field theory
41. How
a literacy work becomes a masterpiece: On the threefold selection practised by
literary criticism
42. The
individual and the mixing of genres: Cultural dissonance and
self-distinction
43. Story-telling
as planning and learning
44. A
general theory of artistic legitimation: How art worlds are like social
movements
45. Locating
digital divides at home, work, and everywhere else
46. It's
all entertainment - Sure. but what exactly is entertainment? Communication
research, media psychology, and the explanation of entertainment
experiences
47. The
context and genesis of musical tastes: Omnivorousness debunked, Bourdieu
buttressed
48. Rethinking
Internet skills: The contribution of gender, age, education, Internet
experience, and hours online to medium- and content-related Internet
skills
49. 'A
very complicated version of freedom': Conditions and experiences of creative
labour in three cultural industries
50. Are
art-museum visitors different from other people? the relationship between
attendance and social and political attitudes in the United States
51. Story
grammar and reading time of story constituents
52. Early
childhood cultural capital, parental habitus, and teachers' perceptions
53. Emotion
in aesthetics: Reactive and reflective models
54. What
properties of culture should we measure?
55. The
omnivorous orientation in the UK
56. A
toolkit for analyzing corporate cultural toolkits
57. A
feeling for fiction: Becoming what we behold
58. Philosophy
of action and theory of narrative
59. Understanding
audience involvement: Conceptualizing and manipulating identification and
transportation
60. "Heritage
rock": Rock music, representation and heritage discourse
61. Finding
the beat: Using respondent-driven sampling to study jazz musicians
62. Story
comprehension: An introduction
63. Globalization
and cultural diversity in the book market: The case of literary translations in
the US and in France
64. Updating
cultural capital theory: A discussion based on studies in Denmark and in
Britain
65. How
reviewers reach consensus on the value of literary works
66. Skills,
toolkits, contexts and institutions: Clarifying the relationship between
different approaches to cognition in cultural sociology
67. Consolidating
the music scenes perspective
68. The
literary field between the state and the market
69. Richard
A. Peterson and the culture of consumption
70. Film-induced
affect as a witness emotion
71. Open
portals or closed gates? Channeling Content on the World Wide Web
72. The
role of empathic distress in the enjoyment of cinematic tragedy
73. Exploiting
affinities between topic modeling and the sociological perspective on culture:
Application to newspaper coverage of U.S. government arts funding
74. The
impact of family background and educational attainment on cultural consumption:
A sibling analysis
75. Extracting
culture through textual analysis
76. Cognitive
aspects of genre
77. Unravelling
the omnivore: A field analysis of contemporary musical taste in the United
Kingdom
78. Cultural
omnivorousness as a combination of highbrow, pop, and folk elements: The
relation between taste patterns and attitudes concerning social
integration
79. The
puzzle of women's "highbrow" culture consumption: Integrating gender
and work into Bourdieu's class theory of taste
80. The
changing impact of social background on lifestyle: "Culturalization"
instead of individualization?
81. The
anatomy of cultural omnivorousness: The case of the United Kingdom
82. Organizing
the musical canon: The repertoires of major U.S. symphony orchestras, 1842 to
1969
83. Audiencing:
A cultural studies approach to watching television
84. Creating
characters in a story-telling universe
85. Social
status and cultural consumption in the United States
86. Cognitive
ability and Internet use among older adults
87. Where's
high? Who's low? What's new? Classification and stratification inside cultural
"Repertoires"
88. Reviewing
as social practice: Institutional constraints on critics' attention for contemporary
fiction
89. Hearsay
ethnography: Conversational journals as a method for studying culture in
action
90. Approaches
to material culture: The sociology of fashion and clothing
91. Cultural
participation in Flanders: Testing the cultural omnivore thesis with population
data
92. Social
capital and cultural participation: Spousal influences on attendance at arts
events
93. Baroque
and rock: Music, mediators and musical taste
94. Cultural
adaptation and institutional change: The evolution of vocabularies of corporate
governance, 1972-2003
95. Translating
Bourdieu into the American context: The question of social class and
family-school relations
96. Fiction
reading in America: Explaining the gender gap
97. Emotional
effects of reading excerpts from short stories by James Joyce
98. Why
do some theatres innovate more than others? An empirical analysis
99. Fictional
objects: How they are and how they aren't
100. The
digital divide in the playstation generation: Self-efficacy, locus of control
and ICT adoption among adolescents
101. Understanding
classifications: Empirical evidence from the American and French wine
industries
102. Literary
processing and interpretation: Towards empirical foundations
103. Behind
the one-way mirror: Refraction in the construction of product market
categories
104. Musical
boundaries: Intersections of form and content
105. Media
repertoires of selective audiences: The impact of status, gender, and age on
media use
106. Literary
socialization and reading preferences. Effects of parents, the library, and the
school
107. Preferences
in leisure time book reading: A study on the social differentiation in book
reading for the Netherlands
108. The
arts as cultural capital among elites: Bourdieu's theory reconsidered
109. Readers
as problem-solvers in the experience of suspense
110. The
dynamics of artistic prestige
111. The
form of reading: Empirical studies of literariness
112. Globalization,
organizational size, and innovation in the French luxury fashion industry:
Production of culture theory revisited
113. Using
a corpus to test a model of speech and thought presentation
114. Cultural
capital and first-generation college success
115. Revisiting
omnivores in America circa 1990s: The exclusiveness of omnivores?
116. Trends
in leisure reading: Forty years of research on reading in the Netherlands
117. Cultural
and moral boundaries in the United States: Structural position, geographic
location, and lifestyle explanations
118. Affect
and narrative. A model of response to stories
119. Some
considerations of a story told in ordinary conversations
120. Six
constraints on the production of literary works
121. Between
art and money: The social space of public readings in contemporary poetry
economies and careers
122. On
alluding
123. Cultural
omnivores or culturally homeless? Exploring the shifting cultural identities of
the upwardly mobile
124. Gatekeeper
search and selection strategies: Relational and network governance in a
cultural market
125. "Race
records" and "hillbilly music": Institutional origins of racial
categories in the American commercial recording industry
126. A
network approach to the puzzle of women's cultural participation
127. Charting
race: The success of Black performers in the mainstream recording market, 1940
to 1990
128. Event
history analysis of authors' reputation: Effects of critics' attention on
debutants' careers
129. Fiction,
non-factuals, and the principle of minimal departure
130. What
makes news more multiperspectival? A field analysis
131. The
man whose web expanded: Network dynamics in Manchester's post/punk music scene
1976-1980
132. Music
into action: Performing gender on the Viennese concert stage, 1790-1810
133. The
eighteenth-century literary field in Western Europe: The interdependence of
material and symbolic production and consumption
134. Emotions
and literary text comprehension
135. The
use of scripts in text comprehension
136. Introduction-Topic
models: What they are and why they matter
137. Cosmopolitan
preferences: The constitutive role of place in American elite taste for hip-hop
music 1991-2005
138. Social
and symbolic boundaries in newspaper coverage of music, 1955-2005: Gender and
genre in the US, France, Germany, and the Netherlands
139. Pathways
to music exploration in a digital age
140. The
moral underpinnings of beauty: A meaning-based explanation for light and dark
complexions in advertising
141. Omnivore
versus univore consumption and its symbolic properties: Evidence from
Spaniards' performing arts attendance
142. What
do animals do all day?: The division of labor, class bodies, and totemic
thinking in the popular imagination
143. Art
journalism and cultural change: The coverage of the arts in Dutch newspapers
1965-1990
144. It's
not all education: Network measures as sources of cultural competency
145. Museum
visitors and non-visitors in Germany: A representative survey
146. Popularity,
content, and context in 37 Shakespeare plays
147. Time
and literary fame
148. What
is a "cantautore?" distinction and authorship in Italian (popular)
music
149. Private
stories in public discourse. Narrative analysis in the social sciences
150. Social
and economic factors in the attribution of literary quality
151. Aptness
is more important than comprehensibility in preference for metaphors and
similes
152. From
aesthetic principles to collective sentiments: The logics of everyday
judgements of taste
153. Suspense,
curiosity, and surprise: How discourse structure influences the affective and
cognitive processing of a story
154. Anticipation
and feeling in literary response: A neuropsychological perspective
155. Audience
involvement and program loyalty
156. Literary
expertise in the description of a fictional narrative
157. Remembering
script-based text
158. Narrative
boundaries and the dynamics of ethnic conflict and conciliation
159. And
the hits just keep on coming: Music programming standardization in commercial
radio
160. Social
networks and classification in literature
161. Irony
markers
162. On
understanding poetic metaphor
163. Coping
with uncertainty, abundance and strife: Decision-making processes of Dutch
acquisition editors in the global market for translations
164. Culture
of distinction or culture of openness? Using a social space approach to analyze
the social structuring of lifestyles
165. Cultural
entrepreneurs, cultural entrepreneurship: Music producers mobilising and
converting Bourdieu's alternative capitals
166. Lifestyles
in distressed neighborhoods. A test of Bourdieu's "taste of
necessity" hypothesis
167. Classification
of authors by literary prestige
168. Artists
as workers: Theoretical and methodological challenges
169. On
the role of conventions in understanding literary texts
170. ‘Represented
perception’: A study in narrative style
171. Incumbents,
innovation, and competence: The emergence of recorded jazz, 1920 to 1929
172. Meaning
and membership: Samples in rap music, 1979-1995
173. Emotional
reactions to narratives about the fortunes of personae in the news theater
174. Modeling
discourse in and around markets
175. Side-roads
to success: The effect of sideline activities on the status of writers
176. Formal
semantics of metaphorical discourse
177. Gender
and highbrow cultural participation in the United States
178. All
that jazz: The success of jazz musicians in three metropolitan areas
179. Highbrow
omnivorousness on the small screen?. Cultural industry systems and patterns of
cultural choice in Europe
180. Social
status and cultural consumption: The case of reading in Chile
181. Can
cultural capital theory be reconsidered in the light of world polity
institutionalism? Evidence from Spain
182. Belonging
and detachment: Musical experience and the limits of identity
183. Understanding
audiences: Continuing contributions of gratifications research
184. Size
zero high-end ethnic: Cultural production and the reproduction of culture in
fashion modeling
185. Cultural
education and the canon: A comparative analysis of the content of secondary
school exams for music and art in England, France, Germany, and the
Netherlands, 1990-2004
186. Gender,
networks, and cultural capital
187. Arenas
of interaction in the mediated public sphere
188. Tracking
discourse and qualitative document analysis
189. Conceptualizing
and measuring culture in surveys: Values, strategies, and symbols
190. Poetic
text processing and its empirical investigation
191. Advances
in the empirical sociology of literature and the arts: The institutional
approach
192. Introduction:
Cultural capital-Histories, limits, prospects
193. Evolution,
extinction, or status quo? Canadian performing arts audiences in the 1990s
194. Introduction:
Structures, institutions, and cultural analysis
195. The
distribution and dynamics of uncertainty in art galleries: A case study of new
dealerships in the Parisian art market, 1985-1990
196. The
effect of school-based arts instruction on attendance at museums and the performing
arts
197. Museum
visitor preferences and intentions in constructing aesthetic experience
198. Story
structure, characterization, just world organization, and reader affect in
American and Hungarian short stories
199. Extensional
and intensional narrative worlds
200. Philanthrocapitalism
and its critics
Eminent authors
Schmidt, S.J.
Verdaasdonk, H.
Dowd, T.J.
Janssen, S.
Van Rees, C.J.
van Rees, K.
Martindale, C.
Peterson, R.A.
Kraaykamp, G.
Verboord, M.
Bourdieu, P.
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